Criticism Quotes
206 quotes
"I haven't any right to criticize books, and I don't do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone."
"I am my own biggest critic. Before anyone else has criticized me, I have already criticized myself. But for the rest of my life, I am going to be with me and I don't want to spend my life with someone who is always critical. So I am going to stop being my own critic. It's high time that I accept all the great things about me."
"A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen."
"Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed."
"An acquaintance merely enjoys your company, a fair-weather companion flatters when all is well, a true friend has your best interests at heart and the pluck to tell you what you need to hear."
"Criticism of others is thus an oblique form of self-commendation. We think we make the picture hang straight on our wall by telling our neighbors that all his pictures are crooked."
"The motive behind criticism often determines its validity. Those who care criticize where necessary. Those who envy criticize the moment they think that they have found a weak spot."
"I have already settled it for myself so flattery and criticism go down the same drain and I am quite free."
"Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong."
"But instead of spending our lives running towards our dreams, we are often running away from a fear of failure or a fear of criticism."
"I criticize by creation, not by finding fault."
"Eccentricity is not, as some would believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd."
"Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?"
"People tend to criticize their spouse most loudly in the area where they themselves have the deepest emotional need."
"The devil's happy when the critics run you off."
"The pleasure of criticizing takes away from us the pleasure of being moved by some very fine things."
"Inspiration may be a form of super-consciousness, orperhaps of subconsciousness—I wouldn't know. But I amsure it is the antithesis of self-consciousness."
"من الناس من يتخذ من المناصب الحكومية طبقات في العلم يوشك من ارتقاها مرة ألا يصعد إلية صوت ناقد"
مصطفى صبري
"دعوة علماء الدين إلى أن يكونوا رسل الديمقراطية الإسلامية بالسعي لتعديل مابين طبقات الناس من الفروق الشاسعة"
مصطفى صبري
"A leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader."
"With no positivity, there is no hope; with no negativity, there is no improvement."
"Success needs vision to see, passion to transcend, patience to withstand and the character to overcome failures."
"A clever schoolboy's reaction to his reading is most naturally expressed by parody or imitation."
"The tower of success stands on the pillars of vision, action, patience and the character to withstand criticisms."
"There is a common tendency to turn off one's imagination at certain points and refuse to contemplate the possibility of having to do certain things and cope with the attendant moral problems. The things simply get done by the social machine, and one can keep one's clear conscience and one's moral indignation unsullied."
"Even if you do nothing, say nothing and be nothing, there will still be many who will criticise you. It is much better to be criticised for success than be condemned for failures because success rids you of the many miseries of life."
"His conception of the universe is, however, instinctive, not intellectual; it can't be criticized as a concept, because there’s none there, and it can't be criticized as temperament, because temperament can't be criticized."
"It is with this movement, with the passage and dissolution of impressions, images, sensations, that analysis leaves off—that continual vanishing away, that strange, perpetual weaving and unweaving of ourselves."
"The archbishop's support for this law [the Same Sex Marriage (Prohibition) Bill 2006, see above] violates numerous Anglican Communion documents that call for a "listening process" involving gay Christians and their leaders. But his contempt for international agreements also extends to Articles 18-20 of the United Nations Universal Declaration on Human Rights, which articulates the rights to freedom of thought, conscience, religion, association and assembly. Surprisingly, few voices -- Anglican or otherwise -- have been raised in opposition to the archbishop. When I compare this silence with the cacophony that followed the Episcopal Church's decision to consecrate the Rt. Rev. Gene Robinson, a gay man who lives openly with his partner, as the bishop of New Hampshire, I am compelled to ask whether the global Christian community has lost not only its backbone but its moral bearings."
"a masterpiece of deception"
"How can one trust a person so prejudiced as to neglect overwhelming evidence?"
"S. J. Gould’s Mismeasure of Man is a paleontologist's distorted view of what psychologists think, untutored in even the most elementary facts of the science. Gould is one of a number of politically motivated scientists who have consistently misled the public about what psychologists are doing in the field of intelligence, what they have discovered and what conclusions they have come to. Gould simply refuses to mention unquestionable facts that do not fit into his politically correct version; he shamelessly attacks the reputations of eminent scientists of whom he disapproves, on completely nonfactual grounds, and he misrepresents the views of scientists."
"Gould's argument on reification purports to get at the philosophical foundation of the field. He claims that general intelligence, defined as the factor common to different cognitive abilities, is merely a mathematical abstraction; hence if we consider it a measurable attribute we are reifying it, falsely converting an abstraction into an “entity” or a “thing”—variously referred to as “a hard, quantifiable thing,” “a quantifiable fundamental particle,” “a thing in the most direct, material sense.” Here he has dug himself a deep hole.… Indeed, this whole argument is fantastic. The scientist does not measure “material things”: He measures properties (such as length or mass), sometimes of a single “thing” (however defined), and sometimes of an organized collection of things, such as a machine, a biological organ, or an organism. In a particularly complex collection, the brain, some properties (i.e., specific functions) have been traced to narrowly-localized regions (such as the sensory or motor nuclei connected to particular parts of the body)."
"[Gould's] historical account is highly selective; he asserts the non-objectivity of science so that he can test for scientific truth, flagrantly, by the standards of his own social and political convictions; and by linking his critique to the quest for fairness and justice, he exploits the generous instincts of his readers.… In effect, we see here Lysenkoism risen again: an effort to outlaw a field of science because it conflicts with a political dogma."
"In his references to my own work, Gould includes at least nine citations that involve more than just an expression of Gould's opinion; in these citations Gould purportedly paraphrases my views. Yet in eight of the nine cases, Gould's representation of these views is false, misleading, or grossly caricatured. Nonspecialists could have no way of knowing any of this without reading the cited sources. While an author can occasionally make an inadvertent mistake in paraphrasing another, it appears Gould's paraphrases are consistently slanted to serve his own message."
"Of all the book's references, a full 27 percent precede 1900. Another 44 percent fall between 1900 and 1950 (60 percent of those are before 1925); and only 29 percent are more recent than 1950. From the total literature spanning more than a century, the few "bad apples" have been hand-picked most aptly to serve Gould's purpose."
"Ernest Bramah's China, then, is the fantastic bogus China of convention, not the real historical thing at all. He wrote of it in a prose so perfectly conceived that it becomes a miracle of style. As Hilaire Belloc once observed, the sly humor and philosophy of Bramah's stories is a trick he achieves by pretending to adapt the flavor of Chinese literary conventions into the English. But the thing I love most about the tales is their irony and the brilliance of their wit."
"Bramah's books fall into two very unequal categories. Some, fortunately the smaller part, record the adventures of the blind detective, Max Carrados. These are competent, mediocre books. The rest are parodic in nature: they pass themselves off as translations from the Chinese, and their boundless perfection achieved the unconditional praise of Hilaire Belloc in 1922. Their names: The Wallet of Kai Lung (1900), Kai Lung's Golden Hours (1922), Kai Lung Unrolls His Mat (1928), The Mirror of Kong Ho (1931), The Moon of Much Gladness (1936)."
"Giraldus, garrulous, egotistic, spiteful, as he is, makes us half forget his faults in the endless instruction, the endless amusement, of his pages."
"To his industry we are exclusively indebted for all that is known of the state of Ireland during the whole of the middle ages, a few barren Chronicles excepted."
"Giraldus mingles in the crowd, catches its accents, is borne along by its changing passions, and thus becomes a very mirror of that fighting, chaffering, praying age."
"From the moment I picked up your book until I laid it down, I was convulsed with laughter. Someday I intend reading it."
"Behind the big names of twentieth-century literature there stands a shadow cabinet of writers waiting to take over once the Wind of Change has blown. My own vote goes to Hugh Kingsmill as leader of this opposition."
"He was one of the first explorers of the human heart, and is therefore rightly to be numbered among the fathers of the novel of sentiment."
"Chrétien is nothing if not versatile: popular, recherché, allusive, insistent, arch, naïve, racy and demure...He has a dramatist's flair for the handling of dialogue, a deft and economic way with characterization, the sharp confidence of the logician in his handling of rhetorical figures and the self-assurance of the entertainer in the deployment of humour (he is master of the verbal nudge). It is his essential vivacity that one misses most in his imitators."
"Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tamed creatures, whose great moral task is to hold in balance the angel and the monster within – for we are both, and to ignore this duality is to invite disaster."
"His insatiable passion for singular odds and ends had a meaning in it; he was groping towards a scientific ordering of phenomena; but the twilight of his age was too confusing, and he could rarely distinguish between a fact and a fantasy."
"Billy Bennett – I speak of the artist – was forthright, bawdy, and wholesome…[His] grossness had that gusto about it which is like a high wind blowing over a noisome place."
"In his work a means of escape has been found from outmoded romanticism on the one hand and from a barren objectivity on the other."
"Sibelius is unquestionably a leader in the front rank of symphonic composers. He has got out of the ruts worn by his predecessors far more completely than Brahms got away from Beethoven, or even Richard Strauss from Wagner. If someone would only burn Finlandia he would come to our young people as an entirely original inventor of a new art form and a new harmony technique."
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