“Amor, in sooth, is like the mathematician who in order to give children a knowledge of pure form must do so in the language of pictures; so, too, the god, in order to make visible the spirit, avails himself of the forms and colours of human youth, gilding it with all imaginable beauty that it may serve memory as a tool, the very sight of which then sets us afire with pain and longing.”
“Überreizt von der schwierigen und gefährlichen, eben jetzt eine höchste Behutsamkeit, Umsicht, Eindringlichkeit und Genauigkeit des Willens erfordernden Arbeit der Vormittagsstunden, hatte der Schrift...”
Death in Venice
“Aschenbach ... had, at least ever since he commanded means to get about the world at will, regarded travel as a necessary evil, to be endured now and again willy-nilly for the sake of one’s health. To...”
Death in Venice
“And so the new impulse which thus late and suddenly swept over him was speedily made to conform to the pattern of self-discipline he had followed from his youth up. He had meant to bring his work, for...”
Death in Venice
“To him it seemed his work had ceased to be marked by that fiery play of fancy which is the product of joy, and more, and more potently, than any intrinsic content, forms in turn the joy of the receivi...”
Death in Venice
“Outsiders might be pardoned for believing that his Maia world and the epic amplitude revealed by the life of Frederick were a manifestation of great power working under high pressure, that they came f...”
Death in Venice