V. S. Naipaul

V. S. Naipaul

48 quotes

Biography

Sir Vidiadhar Surajprasad Naipaul was a Trinidad and Tobago-born British writer renowned for his works of fiction and nonfiction in English. He is known for his comic early novels set in Trinidad, his bleaker novels of alienation in the wider world, and his vigilant chronicles of life and travels.

"A writer is in the end not his books, but his myth. And that myth is in the keeping of others."

V. S. Naipaul

"India has been very lucky in the Nehru family. Nehru was unique in recent world history: a colonial protest figure, a folk hero who did not appeal to fanaticism but was a reasonable, reasoning man. A man committed to science, religious tolerance, the rule of law and the rights of man. Indira Gandhi, his daughter, carried on this way of looking at things. In Britain, she might have had the reputation of being domineering, harsh, even ruthless. And you can easily make a case for her being authoritarian, antidemocratic, stamping out protest. But it isn't enough just to do that. One must consider what was on the other side. In 1975, some opposition parties wanted India to go back to some pre-industrial time of village life. Piety can take odd forms."

V. S. Naipaul

"Everybody is interesting for an hour, but few people can last more than two."

V. S. Naipaul

"One always writes comedy at the moment of deepest hysteria."

V. S. Naipaul

"To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up."

V. S. Naipaul

"What is happening in India is a mighty creative process.... But every other Indian knows precisely what is happening. Deep down he knows that a larger response is emerging to their historical humiliation. … It is not enough to abuse these youths or use that fashionable word from Europe, 'fascism'… There is a big, historical development going on in India. Wise men should understand it and ensure that it does not remain in the hands of fanatics."

V. S. Naipaul

"What matters in the end in literature, what is always there, is the truly good. And — though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall — what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing."

V. S. Naipaul

"I have told people who ask for lectures that I have no lecture to give. And that is true. It might seem strange that a man who has dealt in words and emotions and ideas for nearly fifty years shouldn't have a few to spare, so to speak. But everything of value about me is in my books. Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will — with luck — come to me during the actual writing, and it will take me by surprise. That element of surprise is what I look for when I am writing."

V. S. Naipaul

"It [Islam] has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say 'my ancestral culture does not exist, it doesn't matter'... This abolition of the self demanded by Muslims was worse than the similar colonial abolition of identity. It is much, much worse in fact... You cannot just say you came out of nothing."

V. S. Naipaul

"We knew nothing but despotism. That is why the very rich Mughal empire could break up into nothing. Turn to dust at the merest touch of a foreign power. There was no institution, there was no creative nation, no university, no printing press, there was nothing but personal power. … How do you ignore history? But the nationalist movement, independence movement ignored it. You read the Glimpses of World History by Jawaharlal Nehru, it talks about the mythical past and then it jumps the difficult period of the invasions and conquests. So you have Chinese pilgrims coming to Bihar, Nalanda and places like that. Then somehow they don't tell you what happens, why these places are in ruin. They never tell you why Elephanta island is in ruins or why Bhubaneswar was desecrated. So history has to be studied, it is very painful history. But it is not more painful than most countries have had. … It isn't India alone that has had a rough time, that has to be understood. But the rough time has to be faced and it cannot be glossed over. There are tools for us to understand the rough time. We can read a man like Ibn Battuta who will tell you what it was like to be there in the midst of the fourteenth century, terrible times. An apologist of the invaders would like to gloss that over. But it would be wrong to gloss that over, that has to be understood. … But I would like to see this past recovered and not dodged."

V. S. Naipaul

"If a writer doesn’t generate hostility, he is dead."

V. S. Naipaul

"It is like reading of a land periodically devastated by hordes of lemmings or locusts; it is like turning from the history of a coral reef, in which every act and every death is a foundation, to the depressing chronicle of a succession of castles built on the waste sand of the sea-shore. This is Woodruff on the difference between European history and Indian history. He has chosen his images well. But the sandcastle is not quite exact. The sandcastle is flattened by the tide and leaves not trace, and India is above all the land of ruins."

V. S. Naipaul

"India is for me a difficult country. It isn’t my home and cannot be my home; and yet I cannot reject it or be indifferent to it; I cannot travel only for the sights. I am at once too close and too far."

V. S. Naipaul

"While the Ottomans moved into South-East Europe, the Moghul invasion of India destroyed much of Hindu and Buddhist civilization there. The recent destruction by Moslems in Afghanistan of colossal Buddhist statues is a reminder of what happened to temples and shrines, on an enormous scale, when Islam took over."

V. S. Naipaul

"I also bought a copy of The New York Times, the previous day's issue of which I had seen the previous day in Puerto Rico. I was interested in newspapers and knew this paper to be one of the foremost in the world. But to read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them; the knowledge that serves best is the knowledge provided by the newspaper itself. It made me feel a stranger, that paper."

V. S. Naipaul

"Men need history; it helps them to have an idea of who they are. But history, like sanctity, can reside in the heart; it is enough that there is something there."

V. S. Naipaul

"The family feuds or the village feuds often had to do with an idea of honor. Perhaps it was a peasant idea; perhaps this idea of honor is especially important to a society without recourse to law or without confidence in law."

V. S. Naipaul

"Islam is in its origins an Arab religion. Everyone not an Arab who is a Muslim is a convert. Islam is not simply a matter of conscience or private belief. It makes imperial demands. A convert’s worldview alters. His holy places are in Arab lands; his sacred language is Arabic. His idea of history alters. He rejects his own; he becomes, whether he likes it or not, a part of the Arab story. The convert has to turn away from everything that is his. The disturbance for societies is immense, and even after a thousand years can remain unresolved; the turning away has to be done again and again. People develop fantasies about who and what they are; and in the Islam of converted countries there is an element of neurosis and nihilism. These countries can be easily set on the boil."

V. S. Naipaul

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V. S. Naipaul

"To the convert his land is of no religious or historical importance; its relics are of no account; only the sands of Arabia are sacred."

V. S. Naipaul

"Life doesn't have a neat beginning and a tidy end, life is always going on. You should begin in the middle and end in the middle, and it should be all there."

V. S. Naipaul

"I could scarcely bear to look at her eyes. They promised such intimacies."

V. S. Naipaul

"I thought how terrible it would have been if, as could so easily have happened, I had died without knowing this depth of satisfaction, this other person that I had just discovered within myself. It was worth any price, any consequence."

V. S. Naipaul

"And whenever I saw Luis, Graça's husband, I dealt with him with a friendship that was quite genuine, since it was offered out of gratitude for Graça's love."

V. S. Naipaul

"Before comfort had been squeezed out of the hard land, like blood out of stone."

V. S. Naipaul