Sam Keen

Sam Keen

50 quotes

Biography

Samuel McMurray Keen was an American author, academic and philosopher who is best known for his exploration of questions regarding love, life, wonder, religion, and being a male in contemporary society.

"We come to love not by finding a perfect person, but by learning to see an imperfect person perfectly."

Sam Keen

"Burnout is nature's way of telling you, you've been going through the motions your soul has departed; you're a zombie, a member of the walking dead, a sleepwalker. False optimism is like administrating stimulants to an exhausted nervous system."

Sam Keen

"A major component of the western myth is the belief that myth is a primitive and mistaken way of thinking about the world that has been replaced by science. Commonly, the word “myth” is now used to mean an illusion or a lie... Enlightened moderns are accustomed to looking at the queer beliefs of the Mayas or the Tassaday and seeing them as mythical. But we look on our own belief systems as rational and rooted in the realities of politics and economics. As Joseph Campbell says: “Myth is other people’s religion.”"

Sam Keen

"Myth is the system of basic metaphors, images, and stories that in-forms the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life."

Sam Keen

"A living myth remains largely unconscious for the majority. It is the reality, not the symbol. … Some people in every culture, however, see through or beyond the myth. … Those whose amphibious minds move both within and beyond the myth may be though of as outlaws or metaphysicians. Myth and metaphysics are related to each other in the same way that religion is related to theology. The mythical mind is unreflective. It lives unquestioningly within a horizon of the culture’s images, stories, rituals, and symbols, just as the religious person rests content within the liturgy and creedal structure of the church or cult. The metaphysical mind reflects upon the myth and tries to make it conscious. It plays with the stories and images and lifts the basic presuppositions about life into the light of consciousness. In this sense, metaphysics is the thinking person’s religion."

Sam Keen

"It has been fashionable in the twentieth century not only to debunk myth, … but to pretend that that reasonable and educated people could avoid the embarrassment of religion and the risk of metaphysics by sticking close to demonstrable facts and testable hypotheses. However, in the course of reducing our beliefs and hopes to certainties and proofs, we impoverished and deluded ourselves. The modern anti-myth reduced human life to a story without a point, a tale told by an idiot, a process without a purpose, a journey without a goal, an affair without a climax (Godot never comes), an accidental collision of mindless atoms. … We have hardly noticed that economics, technology and politics have become the new myth and metaphysic. We haven’t avoided myth and metaphysics, only created demeaning ones."

Sam Keen

"Within the horizon of this [western] myth, love is understood as the artificial restraining of our natural impulses toward unbridled aggression."

Sam Keen

"In a political situation where tyranny reigns and rebellion is not tolerated, few men and women will have the luxury of going beyond the stance of the rebel."

Sam Keen

"Where authority represses freedom, rebellion becomes the hard work of love, which is necessary because love, freedom, and spirit are inseparable."

Sam Keen

"There are at least three fundamental ways in which the rebel impulse may become perverse: (1) [we can] get caught in a stance that always positions us against others; (2) [we can be] deficient in the power to say “no,” and hence follow the path of least resistance; and (3) [we can] seek to prolong the adolescent dream of endless possibilities, and hence live in a moratorium from commitments."

Sam Keen

"If you live out of a negative identity, … others will always be cast in the mold of the enemy against whom you must struggle."

Sam Keen

"Pleasers … make up what Earl Shorris has called “the oppressed middle,” the middle-managers who enjoy “the comforts of fearful people” and pay by submitting to their superiors’ definitions of happiness and success."

Sam Keen

"Beneath the smiling mask, we can see the injury that results from a deficiency of rebellion. The nice ones are never quite real. They lack self-definition, self-confidence, because they have never created boundaries and limits for themselves by making decisions. Having never dared to break the taboos they suffer from shame. Their sins are ones of omission rather than commission. They “have left undone those things they ought to have done,” most especially deciding for themselves what is good and evil."

Sam Keen

"Being impotent because they have never dared to assert themselves, they continually play the blame game. They are innocent and powerless and, therefore, others are always to blame when things go wrong. … They have yet to bite the apple of consciousness."

Sam Keen

"The “bleeding hearts” who want love without anger, relationship without conflict, harmony without contradictions, are forced to create an illusory world of unambivalent love. … It is not accidental that such perfect persons (who never question their own motives, or suspect their hidden ideology or self-interest) make other feel tainted and guilty. Every sentimental sermon is served with a side-dish of guilt. In their presence, honest doubt is named cynicism, anger is called evil, and ambivalence is castigated as craziness."

Sam Keen

"Living mythical-political systems are invisible to those who live within them. The problem of myth and consciousness is reflected in the old saying: We don’t know who discovered water, but it certainly wasn’t a fish. Myth is the sea of commonly accepted assumptions that are not questioned by the majority of those living within a system. To the average, normal member of society, the myth is what is natural and obvious."

Sam Keen

"It is only from the perspective of the outlaw … that we are able to see that mythically informed normality is a form of mass hypnosis."

Sam Keen

"The man who comes home exhausted because he has been taught to believe without question that his male identity is based on nine-to-five loyalty and the giving of his best energies to the corporation has made a decision about his sexuality. He sacrifices his corpus to the corporation. His chosen method of expending energy and structuring time disallows afternoon dalliance with his wife or lover."

Sam Keen

"Overstimulation of the adrenal glands (with consequent exhaustion of the spirit) is the price of our incorporation within the male womb of the modern corporate society."

Sam Keen

"A society that trains us to specialize in making, doing, performing, and producing neglects to educate us in wonder and appreciation."

Sam Keen

"The female has learned by long experience to win by losing, to wield power in the passive-aggressive manner of the sadomasochist."

Sam Keen

"The decision to become an individual, to allow oneself to be moved by the deepest impulses of the self rather than the social consensus, can only be made with fear and trembling."

Sam Keen

"The outlaw will often wonder whether asserting the right to know, to taste, to experience, to judge is not an act of arrogance. … To become an outlaw, I must decide that my personal experience rather than the mores of the tribe is the authority upon which I will base my judgments. In a bold act of self-love and self-trust, the outlaw proclaims that individual to be higher than the universal."

Sam Keen

"There is a crucial difference between the criminal and the outlaw. The criminal is a perverse rebel who acts out against the law. … The outlaw is a supranormal individual who cares about others too much to accept the limitations on eros that are imposed by normal life. Thus the outlaw question moves outside end beyond, not against the law. While the rebel is an antinomian, merely rejecting the established, the outlaw is motivated by a quest for autonomy."

Sam Keen

"The outlaw uses the knife to separate the persona from the self. The outlaw uses the warrior’s sword to cut through his own character armor to destroy the defense mechanisms that have kept him imprisoned within the citadel of personality and role."

Sam Keen