Rudy Rucker
60 quotes
Biography
Rudolf von Bitter Rucker is an American mathematician, computer scientist, science fiction author, and one of the founders of the cyberpunk literary movement. The author of both fiction and non-fiction, he is best known for the novels in the Ware Tetralogy, the first two of which both won Philip K.
"My sense is that, in the long run, Mother Nature always wins. Cautionary note: Mother Nature's win may not include the survival of the pesky human race!"
"Even with omnividence and telepathy, I expect that, day in and day out, people won't actually change that much—not even in a million years. That's a lesson history teaches us. Yes, we've utterly changed our tech since the end of the Middle Ages, but the paintings of Hieronymus Bosch or Peter Bruegel show that people back then were much like us, perennially entangled with the seven deadly sins."
"Will molecular manufacture give all of us the luxuries we want? No. Skewed inverse power-law distribution of valued qualities is an intrinsic property of the natural world. That is, roughly speaking, if there are a thousand people at the bottom of the heap, and a hundred immediately above them, there will only be ten farther up, and just one perched on the top in possession of a large proportion of the goodies. Even if we become glowing clouds of ectoplasm, there's going to be something that we’re competing for—and most of us will feel as though we're getting screwed."
"But, come on, if you want to smoothly transmogrify a blade of grass into some nanomachines simulating a blade of grass, then why bother grinding up the blade of grass at all? After all, any object at all can be viewed as a quantum computation! The blade of grass already is an assemblage of nanomachines emulating a blade of grass. Nature embodies superhuman intelligence just as she is."
"In short, a gnarly process is complex and unpredictable without being random. If a story hews to some very familiar pattern, it feels stale. But if absolutely anything can happen, a story becomes as unengaging as someone else’s dream. The gnarly zone lies at the interface between logic and fantasy."
"Old age is all about killing time."
"It would take a supercomputer to simulate this puddle in real time—maybe even all the computers in the world. Especially if you included the air currents pushing the raindrops this way and that. Computable or not, it kept happening."
"It was good to be outside, away from the TV and the computer. The natural world had such high bandwidth."
"But Charles was the one who finally realized it was nuts to be walking around inside a sewer with a tweaker leading the way. The fact that Charles figured this out before me makes me wonder about myself. I think I’m spending too much time on my computer."
"Thanks to environmental decline, kids of Janna’s age had never seen authentic wildlife. So they flipped for the Goob menagerie: marmosets with butterfly wings, starfish that scuttled like earwigs, long, furry frankfurter cat-snakes."
"He’ll be back. Men always come back when they see you making money."
"Kelso had the kind of slit-eyed street smarts that came only from Berkeley law classes."
"Janna knew full well that the classic dot-com move was to grab that golden parachute and bail like crazy before the investors and employees caught on."
"Tug was fascinated, and not by the money involved. Like many mathematicians, Mesoglea considered money to be one boring, merely bookkeeping subset of the vast mental universe of general computation."
"“Security always soars along with unemployment,” said Pullen, nodding his head at his own wisdom. “We are in a major downturn. I’ve seen this before, so I know the drill. Locks, bolts, Dobermans, they’re all market leaders this quarter. That’s Capitalism 301, girls.”"
"I think of consciousness as a point, an "eye," that moves about in a sort of mental space. All thoughts are already there in this multi-dimensional space, which we might as well call the Mindscape. Our bodies move about in the physical space called the Universe; our consciousnesses move about in the mental space called the Mindscape."
"Just as we all share the same Universe, we all share the same Mindscape. For just as you can physically occupy the same position in the Universe that anyone else does, you can, in principle, mentally occupy the same state of mind or position in the Mindscape that anyone else does."
"In one of our conversations I pressed Gödel to explain what he meant by the “other relation to reality” by which he said one could directly see mathematical objects. He made the point that the same possibilities of thought are open to everyone, so that we can take the world of possible forms as objective and absolute. Possibility is observer-independent, and therefore real, because it is not subject to our will."
"The patterns of mathematics can be roughly grouped into five archetypes: Number, Space, Logic, Infinity, and Information."
"People sometimes say, “If the world really has a simple explanation, then where did all the randomness and information come from?” We can think of the information as coming in with the passage of time. Each tick of time increases the depth of the world computer’s output."
"My purpose in writing Mind Tools has been to see what follows if one believes that everything is information. I have reached the following (debatable) conclusions."
"My real speciality is the mathematical analysis of Hilbert Space operators. But this was no time to come on like an ivory-tower idealist."
"I stared down at the object in my lap. A skin-colored sphere the size of a giant beach ball, with breasts on top and a mouth between the breasts. At the bottom were the generous buttocks, a crinkly anus and a vaginal passage containing my rapidly limpening penis. Was this safe?"
"It was funny. I knew I didn't want the bomb to be a success. But yet I'd spent so many years working around physics labs that I couldn't stand not to do it right."
"This brought back the sick, ashamed feeling I'd woken up with. I was no better than some geek with a foam-rubber woman's torso like they advertise in Hustler. What a pathetic, twisted version of womanhood: all the "inessential" parts lopped off, nothing left behind but tits and ass and holes. Lifelike washable plastic skin. Greek and French features. But yet, in a way, wasn't the sex sphere always what I'd wanted in a woman? An ugly truth there. "Shut up and spread!" How many times had I told Sybil that, if not in so many words?"