Roger Zelazny
123 quotes
Biography
Roger Joseph Zelazny was an American fantasy and science fiction writer known for his short stories and novels focusing on mythology and various religions, best known for The Chronicles of Amber series. He won the Nebula Award three times and the Hugo Award six times, including two Hugos for novels: the serial novel ...And Call Me Conrad (1965), subsequently published as This Immortal (1966), and Lord of Light (1967).
"I like libraries. It makes me feel comfortable and secure to have walls of words, beautiful and wise, all around me. I always feel better when I can see that there is something to hold back the shadows."
"I know, too, that death is the only god who comes when you call."
"Nobody steals books but your friends."
"I watched the spinning stars, grateful, sad and proud, as only a man who has outlived his destiny and realizes he might yet forge himself another, can be."
"When inspiration is silent reason tires quickly."
"Then every man would be as a god, you see. The result of this, of course, would be that there would no longer be any gods, only men. We would give them knowledge of the sciences and the arts, which we possess, and in so doing we would destroy their simple faith and remove all basis for their hoping that things will be better—for the best way to destroy faith or hope is to let it be realized."
"I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters."
"Death is the only god that comes when you call."
"Every now and then it's nice to stop and just look over what you've been writing and the way you've been writing it and sort of reassess it, and see if you've fallen into bad habits or there's something you'd like to get better at. One way of reexamining your own work is to work with somebody else. It's a learning experience. I don't want to get into a rut."
"I got the idea for that story in May of 1979. I didn't know what it was going to be; I just thought it would be neat to write something about Jack the Ripper's dog, and ask Gahan Wilson to illustrate it, partly because of the fact that a dog is such an unusual person. No matter who owns a dog, if that person is nice to the animal, the dog is going to love him. I thought at the time, if you take a really despicable person, a serial killer or someone like that, and tell a story from his dog's point of view it would make him look pretty good."
"Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now."
"The price of mortal existence is age."
"In a world of physical ease, brutal social equality, and reasonable economic equality, exclusiveness in frivolity becomes the most sought-after of all distinctions."
"It is anticipation and recollection that fill the heart—never the sensation of the moment."
"Knowledge was what he needed. Fear was what he had."
"And I came to the land where the sun is a tarnished penny, where the wind is a whip, where two moons play at hot rod games, and a hell of sand gives you the incendiary itches whenever you look at it."
"Two days, like icebergs—bleak, blank, half-melting, all frigid, mainly out of sight, and definitely a threat to peace of mind—drifted by and were good to put behind."
"They’re here and we’re here, and they think we’re gods—maybe because we do nothing for them but make them miserable."
"The days that followed were a game I enjoyed playing. Fake indecision is delicious when people want you to do something."
"I thought back over my life. How does a man come to climb mountains? Is he drawn by the heights because he is afraid of the level land? Is he such a misfit in the society of men that he must flee and try to place himself above it? The way up is long and difficult, but if he succeeds they must grant him a garland of sorts. And if he falls, this too is a kind of glory. To end, hurled from the heights to the depths in hideous ruin and combustion down, is a fitting climax for the loser—for it, too, shakes mountains and minds, stirs things like thoughts below both, is a kind of blasted garland of victory in defeat, and cold, so cold that final action, that the movement is somewhere frozen forever into a statuelike rigidity of ultimate intent and purpose thwarted only by the universal malevolence we all fear exists. An aspirant saint or hero who lacks some necessary virtue may still qualify as a martyr, for the only thing that people will really remember in the end is the end."
"People never pay attention to weather reports; this, I believe, is a constant factor in man’s psychological makeup, stemming probably from an ancient tribal distrust of the shaman. You want them to be wrong. If they’re right, then they’re somehow superior, and this is even more uncomfortable than getting wet."
"I didn’t say anything because I didn’t have anything to say."
"Such is the essence of valor: an unthinking moment, a spark along the spinal nerves, predetermined by the sum total of everything you have ever done, wished to do or not to do, and wish you had done, or hadn’t, and then comes the pain."
"Some are born to obscurity and others only achieve it through diligent effort."
"At the end of the season of sorrows comes the time of rejoicing. Spring, like a well-oiled clock, noiselessly indicates this time."