Rod Serling
39 quotes
Biography
Rodman Edward Serling was an American screenwriter and television producer, widely known for his live television dramas of the 1950s and his anthology television series The Twilight Zone. Serling was active in politics, both on and off the screen, and helped form television industry standards.
"There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone."
"The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy; and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone."
"There is an answer to the doctor's question. All the Dachaus must remain standing. The Dachaus, the Belsens, the Buchenwald, the Auschwitzes – all of them. They must remain standing because they are a monument to a moment in time when some men decided to turn the Earth into a graveyard. Into it they shoveled all of their reason, their logic, their knowledge, but worst of all, their conscience. And the moment we forget this, the moment we cease to be haunted by its remembrance, then we become the gravediggers. Something to dwell on and to remember, not only in the Twilight Zone but wherever men walk God's Earth."
"It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable."
"I happen to think that the singular evil of our time is prejudice. It is from this evil that all other evils grow and multiply. In almost everything I've written there is a thread of this: man's seemingly palpable need to dislike someone other than himself."
"[T]he ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in, becoming narcissistic."
"I ask for your indulgence when I march out quotations. This is the double syndrome of men who write for a living and men who are over forty. The young smoke pot — we inhale from our Bartlett's."
"I think the destiny of all men is not to sit in the rubble of their own making but to reach out for an ultimate perfection which is to be had. At the moment, it is a dream. But as of the moment we clasp hands with our neighbor, we build the first span to bridge the gap between the young and the old. At this hour, it’s a wish. But we have it within our power to make it a reality. If you want to prove that God is not dead, first prove that man is alive."
"I was bitter about everything and at loose ends when I got out of the service. I think I turned to writing to get it off my chest."
"I wish to Christ that I had written a Stagecoach drama starring John Wayne instead."
"[A] medium best suited to illumine and dramatize the issues of the times has its product pressed into a mold, painted lily-white, and has its dramatic teeth yanked out one by one."
"From a writing point of view, radio ate up ideas that might have put food on the table for weeks at a future freelancing date. The minute you tie yourself down to a radio or TV station, you write around the clock. You rip out ideas, many of them irreplaceable. They go on and consequently can never go on again. And you've sold them for $50 a week. You can't afford to give away ideas—they're too damn hard to come by. If I had it to do over, I wouldn't staff-write at all. I'd find some other way to support myself while getting a start as a writer."
"Radio, in terms of ... drama, dug its own grave. It had aimed downward, had become cheap and unbelievable, and had willingly settled for second best."
"How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form."
"Hollywood's a great place to live... if you're a grapefruit."
"If you need drugs to be a good writer, you're not a good writer."
"I was a Christmas present that was delivered unwrapped."
"I got the idea for the pilot while walking through an empty lot of a movie studio. There were all the evidences of a community but with no people. I felt at the time a kind of encroaching loneliness, and desolation; a feeling of how nightmarish it would be to wind up in a city with no inhabitants."
"I was dealing with a political story where much of the action took place on the floor of the U.S. Senate, and one of the edicts that came down from the Mt. Sinai of advertisers row was that at no time in a political drama must a speech or a character be equated with an existing political party or current political problems. So several million viewers were treated to an incredible display of senators shouting, gesticulating and talking in hieroglyphics, saying not a single thing germaine to the current political scene."
"Someplace between apathy and anarchy is the stance of the thinking human being; he does embrace a cause, he does take a position, and can’t allow it to become business as usual. Humanity is our business."
"Once again there appears to be a considerable difference of opinion. I wanted a series with distinction, I have no interest in a series which is purely and uniquely suspenseful but makes no comment about anything. But all they seem to want is maniacs in a cemetery. When I complain they pat me on the head, condescend, and hope I go away. When I was on the Twilight Zone I took the bows, but I also took the brickbats, because when it was bad it was usually my fault, but when it's bad on the Night Gallery, I had nothing to do with it, yet my face is on it all the time."
"The first sale, that's the one that comes with magic."
"As I get older the urge to write gets less and less; I've pretty much spewed out everything I have to say, none of which has been particularly monumental; nothing that will stand the test of time. Good writing like wine has to age well, and my stuff has been momentarily adequate."
"In his grave, we praise him for his decency - but when he walked amongst us, we responded with no decency of our own. When he suggested that all men should have a place in the sun - we put a special sanctity on the right of ownership and the privilege of prejudice by maintaining that to deny homes to Negroes was a democratic right. Now we acknowledge his compassion - but we exercised no compassion of our own. When he asked us to understand that men take to the streets out of anguish and hopelessness and a vision of that dream dying, we bought guns and speculated about roving agitators and subversive conspiracies and demanded law and order. We felt anger at the effects, but did little to acknowledge the causes. We extol all the virtues of the man - but we chose not to call them virtues before his death. And now, belatedly, we talk of this man's worth - but the judgement comes late in the day as part of a eulogy when it should have been made a matter of record while he existed as a living force. If we are to lend credence to our mourning, there are acknowledgements that must be made now, albeit belatedly. We must act on the altogether proper assumption that Martin Luther King asked for nothing but that which was his due... He asked only for equality, and it is that which we denied him."
"I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words...less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before."