Philip K. Dick
215 quotes
Biography
"You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe."
"If you think this Universe is bad, you should see some of the others."
"No single thing abides; and all things are fucked up."
"The pre-Socratic Greek philosopher Parmenides taught that the only things that are real are things which never change... and the pre-Socratic Greek philosopher Heraclitus taught that everything changes. If you superimpose their two views, you get this result: Nothing is real."
"Truth, she thought. As terrible as death. But harder to find."
"It really seems to me that in the midst of great tragedy, there is always the horrible possibility that something terribly funny will happen."
"To live is to be haunted."
"The bird is gone, and in what meadow does it now sing?"
"Everything is true,' he said. 'Everything anybody has ever thought.''Will you be all right?''I'll be all right,' he said, and thought, And I'm going to die. Both those are true, too."
"Imagine being sentient but not alive. Seeing and even knowing, but not alive. Just looking out. Recognizing but not being alive. A person can die and still go on. Sometimes what looks out at you from a person's eyes maybe died back in childhood."
"Can any of us fix anything? No. None of us can do that. We're specialized. Each one of us has his own line, his own work. I understand my work, you understand yours. The tendency in evolution is toward greater and greater specialization. Man's society is an ecology that forces adaptation to it. Continued complexity makes it impossible for us to know anything outside our own personal field — I can't follow the work of the man sitting at the next desk over from me. Too much knowledge has piled up in each field. And there are too many fields."
"Doctor Labyrinth, like most people who read a great deal and who have too much time on their hands, had become convinced that our civilization was going the way of Rome. He saw, I think, the same cracks forming that had sundered the ancient world, the world of Greece and Rome; and it was his conviction that presently our world, our society, would pass away as theirs did, and a period of darkness would follow."
"One long-past innocent day, in my prefolly youth, I came upon a statement in an undistinguished textbook on psychiatry that, as when Kant read Hume, woke me forever from my garden-of-eden slumber. "The psychotic does not merely think he sees four blue bivalves with floppy wings wandering up the wall; he does see them. An hallucination is not, strictly speaking, manufactured in the brain; it is received by the brain, like any 'real' sense datum, and the patient act in response to this to-him-very-real perception of reality in as logical a way as we do to our sense data. In any way to suppose he only 'thinks he sees it' is to misunderstand totally the experience of psychosis.""
"Don't try to solve serious matters in the middle of the night."
"In one of the most brilliant papers in the English language Hume made it clear that what we speak of as 'causality' is nothing more than the phenomenon of repetition. When we mix sulphur with saltpeter and charcoal we always get gunpowder. This is true of every event subsumed by a causal law — in other words, everything which can be called scientific knowledge. "It is custom which rules," Hume said, and in that one sentence undermined both science and philosophy."
"I, for one, bet on science as helping us. I have yet to see how it fundamentally endangers us, even with the H-bomb lurking about. Science has given us more lives than it has taken; we must remember that."
"Spinoza saw... that if a falling stone could reason, it would think, "I want to fall at the rate of thirty-two feet per second.""
"I started reading SF when I was about twelve and I read all I could, so any author who was writing about that time, I read. But there's no doubt who got me off originally and that was A. E. van Vogt. There was in van Vogt's writing a mysterious quality, and this was especially true in The World of Null A. All the parts of that book did not add up; all the ingredients did not make a coherency. Now some people are put off by that. They think that's sloppy and wrong, but the thing that fascinated me so much was that this resembled reality more than anybody else's writing inside or outside science fiction. ... reality really is a mess, and yet it's exciting. The basic thing is, how frightened are you of chaos? And how happy are you with order? Van Vogt influenced me so much because he made me appreciate a mysterious chaotic quality in the universe which is not to be feared."
"These creatures are among us, although morphologically they do not differ from us; we must not posit a difference of essence, but a difference of behavior. In my science fiction I write about about them constantly. Sometimes they themselves do not know they are androids. Like Rachel Rosen, they can be pretty but somehow lack something; or, like Pris in We Can Build You, they can be absolutely born of a human womb and even design androids — the Abraham Lincoln one in that book — and themselves be without warmth; they then fall within the clinical entity "schizoid," which means lacking proper feeling. I am sure we mean the same thing here, with the emphasis on the word "thing." A human being without the proper empathy or feeling is the same as an android built so as to lack it, either by design or mistake. We mean, basically, someone who does not care about the fate which his fellow living creatures fall victim to; he stands detached, a spectator, acting out by his indifference John Donne's theorem that "No man is an island," but giving that theorem a twist: that which is a mental and a moral island is not a man."
"My major preoccupation is the question, 'What is reality?' Many of my stories and novels deal with psychotic states or drug-induced states by which I can present the concept of a multiverse rather than a universe. Music and sociology are themes in my novels, also radical political trends; in particular I've written about fascism and my fear of it."
"People just have no criterion left to evaluate the importance of things. I think the only thing that would really affect people would be the announcement that the world was going to be blown up by the hydrogen bomb. I think that would really affect people. I think they would react to that. But outside of that, I don't think they would react to anything. "Peking has been wiped out by an earthquake, and the RTD — the bus strike is still on." And some guy says, "Damnit! I'll have to walk to work!""
"I think that, like in my writing, reality is always a soap bubble, Silly Putty thing anyway. In the universe people are in, people put their hands through the walls, and it turns out they're living in another century entirely. ... I often have the feeling — and it does show up in my books — that this is all just a stage."
"Giving me a new idea is like handing a cretin a loaded gun, but I do thank you anyhow, bang, bang."
"I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards, I'm out of step. I should yield to reality. I have never yielded to reality. That's what science fiction is all about."
"Here I am saying that mutants are dangerous to us ordinaries, a view which John W. Campbell, Jr. deplored. We were supposed to view them as our leaders. But I always felt uneasy as to how they would view us. I mean, maybe they wouldn't want to lead us. Maybe from their superevolved lofty level we wouldn't seem worth leading. Anyhow, even if they agreed to lead us, I felt uneasy as where we would wind up going. It might have something to do with buildings marked SHOWERS but which really weren't."