Michael Ondaatje, The English Patient

29 quotes

"Men had always been the reciters of poetry in the desert."

Michael Ondaatje, The English Patient

"This was the time in her life that she fell upon books as the only door out of her cell. They became half her world."

Michael Ondaatje, The English Patient

"I have spent weeks in the desert, forgetting to look at the moon, he says, as a married man may spend days never looking into the face of his wife. These are not sins of omission but signs of pre-occuopation."

Michael Ondaatje, The English Patient

"Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations."

Michael Ondaatje, The English Patient

"She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams."

Michael Ondaatje, The English Patient

"Why are you not smarter? It's only the rich who can't afford to be smart. They're compromised. They got locked years ago into privilege. They have to protect their belongings. No one is meaner than the rich. Trust me. But they have to follow the rules of their shitty civilised world. They declare war, they have honour, and they can't leave. But you two. We three. We're free."

Michael Ondaatje, The English Patient

"She is a woman of honour and smartness whose wild leaves out luck, always taking risks, and there is something in her brow now, that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She is a woman I don’t know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life."

Michael Ondaatje, The English Patient

"You built your walls too, she tells him. So I have my wall. She says it glittering in a beauty he cannot stand. She with her beautiful clothes with her pale face that laughs at everyone who smiles at her..."

Michael Ondaatje, The English Patient

"A love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing—not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past."

Michael Ondaatje, The English Patient

"Every night I cut out my heart. But in the morning it was full again"

Michael Ondaatje, The English Patient

"The trouble with words is that you can really talk yourself into a corner. You can't fuck yourself into a corner."That's a man talking," muttered Hana."

Michael Ondaatje, The English Patient

"She had always wanted words, she loved them, grew up on them. Words gave her clarity, brought reason, shape. Whereas I thought words bent emotions like sticks in water."

Michael Ondaatje, The English Patient

"He knows that the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall."

Michael Ondaatje, The English Patient

"Nowadays he doesn't think of his wife, though he knows he can turn around and evoke every move of her, describe any aspect of her, the weigh of her wrist on his heart during the night."

Michael Ondaatje, The English Patient

"Do you understand the sadness of geography?"

Michael Ondaatje, The English Patient

"The Englishman left months ago, Hana, he's with the Bedouin or in some English garden with its phlox and shit."

Michael Ondaatje, The English Patient

"Her life with others no longer interests him. He wants only her stalking beauty, her theatre of expressions. He wants the minute secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book."

Michael Ondaatje, The English Patient

"I once traveled with a guide who was taking me to Faya. He didn't speak for nine hours. At the end of it he pointed to the horizon and said, 'Faya!' That was a good day."

Michael Ondaatje, The English Patient

"The desert could not be claimed or owned–it was a piece of cloth carried by winds, never held down by stones, and given a hundred shifting names... Its caravans, those strange rambling feasts and cultures, left nothing behind, not an ember. All of us, even those with European homes and children in the distance, wished to remove the clothing of our countries. It was a place of faith. We disappeared into landscape."

Michael Ondaatje, The English Patient

"I know the devices of a demon. I was taught as a child about the demon lover. I was told about a beautiful temptress who came to a young man's room. And he, if he were wise, would demand that she turn around, because demons and witches have no back, only what they wish to present to you."

Michael Ondaatje, The English Patient

"How can you smile as though your whole life hasn't capsized"

Michael Ondaatje, The English Patient

"I am not in love with him, I am in love with ghosts. So is he, he's in love with ghosts."

Michael Ondaatje, The English Patient

"I was a man fifteen years older than she, you understand. I had reached that stage in life where I identified with cynical villains in a book."

Michael Ondaatje, The English Patient

"-I think you are inhuman. If I leave you, who will you go to? Would you find another lover?I said nothing.-Deny it,damn you!"

Michael Ondaatje, The English Patient

"I went mad before he did, you killed everything in me. Kiss me,will you. Stop defending yourself."

Michael Ondaatje, The English Patient