Louise Glück
19 quotes
Biography
"The master said You must write what you see.But what I see does not move me.The master answered Change what you see."
"Why love what you will lose?There is nothing else to love."
"As I saw it, all my mother's life, my father held her down, like lead strapped to her ankles.She wasbuoyant by nature;she wanted to travel,go to the theater, go to museums.What he wantedwas to lie on the couchwith the Timesover his face,so that death, when it came,wouldn't seem a significant change."
"Tonight I saw myself in the dark window asthe image of my father, whose lifewas spent like this,thinking of death, to the exclusionof other sensual matters,so in the end that lifewas easy to give up, sinceit contained nothing: evenmy mother's voice couldn't make himchange or turn backas he believedthat once you can't love another human beingyou have no place in the world."
"The advantage of poetry over life is that poetry, if it is sharp enough, may last."
"I am attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. It is analogous to the unseen; for example, to the power of ruins, to works of art either damaged or incomplete. Such works inevitably allude to larger contexts; they haunt because they are not whole, though wholeness is implied: another time, a world in which they were whole, or were to have been whole, is implied. There is no moment in which their first home is felt to be the museum."
"It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable. To perceive it at all is to be haunted by it; some sound, some tone, becomes a torment—the poem embodying that sound seems to exist somewhere already finished. It's like a lighthouse, except that, as one swims towards it, it backs away."
"The poem will not survive on content but through voice. By voice I mean the style of thought, for which a style of speech never convincingly substitutes."
"You have to live your life if you're going to do original work. Your work will come out of an authentic life, and if you suppress all of your most passionate impulses in the service of an art that has not yet declared itself, you're making a terrible mistake. When I was young I led the life I thought writers were supposed to lead, in which you repudiate the world, ostentatiously consecrating all of your energies to the task of making art. I just sat in Provincetown at a desk and it was ghastly—the more I sat there not writing the more I thought that I just hadn't given up the world enough. After two years of that, I came to the conclusion that I wasn't going to be a writer. So I took a teaching job in Vermont, though I had spent my life till that point thinking that real poets don't teach. But I took this job, and the minute I started teaching—the minute I had obligations in the world—I started to write again."
"Intense love always leads to mourning."
"One of the purest and most accomplished lyric poets now writing."
"A poet fascinated with border states between existence and nonexistence."
"She was in my poetry seminar at Columbia and I felt that then her poetry was tremendously involved with a kind of female anger but also victimization which I think is something that really has to come out in poetry, but it's not primarily what I would hope to find in women's poems in the future. I'd like to find something much more complicated and dense. But I think there's going to be a lot of that anger in poetry and some of it will be very powerful poetry."
"There is something "disembodied, triumphant, dead"—Whitman's words—about Glück's usual voice [...]. She sees experience from very far off, almost through the wrong end of a telescope, transparently removed in space or time."
"The books [poetry collections] may not sell, but neither are they given away or thrown away. They tend, more than other books, to fall apart in their owners’ hands. Not I suppose good news in a culture and economy built on obsolescence. But for a book to be loved this way and turned to this way for consolation and intense renewable excitement seems to me a marvel."
"We look at the world once, in childhood.The rest is memory"
"It is very difficult to win. It's not in my script."
"Even before you touched me, I belonged to you; all you had to do was look at me."
"You’re not a creature in body.You exist as the stars exist,participating in their stillness, their immensity."