Josef Pieper
37 quotes
Biography
Josef Pieper was a German Catholic philosopher and an important figure in the resurgence of interest in the thought of Thomas Aquinas in early-to-mid 20th-century philosophy. Among his most notable works are The Four Cardinal Virtues: Prudence, Justice, Fortitude, Temperance; Leisure, the Basis of Culture; and Guide to Thomas Aquinas.
"... the greatest menace to our capacity for contemplation is the incessant fabrication of tawdry empty stimuli which kill the receptivity of the soul."
"Happiness,... even the smallest happiness, is like a step out of Time, and the greatest happiness is sharing in Eternity."
"The delight we take in our senses is an implicit desire to know the ultimate reason for things, the highest cause. The desire for wisdom that philosophy etymologically is is a desire for the highest or divine causes. Philosophy culminates in theology. All other knowledge contains the seeds of contemplation of the divine."
"What happens when our eye sees a rose? What do we do when that happens? Our mind does something, to be sure, in the mere fact of taking in the object, grasping its color, its shape, and so on. We have to be awake and active. But all the same, it is a "relaxed" looking, so long as we are merely looking at it and not observing or studying it, counting or measuring its various features. Such observation would not be a "relaxed" action; it would be what Ernst Jünger termed an "act of aggression." But simply looking at something, gazing at it, "taking it in," is merely to open our eyes to receive the things that present themselves to us, that come to us without any need for "effort" on our part to "possess" them."
"We should consider for a moment how much the Christian understanding of life is based on the reality of "Grace"; let us also recall that the Holy Spirit Himself is called "Gift"; that the greatest Christian teachers have said that the Justice of God is based on Love; that something given, something free of all debt, something undeserved, something not-achieved - is presumed in everything achieved or laid claim to; that what is first is always something received — if we keep all this before our eyes, we can see the abyss that separates this other attitude from the inheritence of Christian Europe."
"Now the code of life of the High Middle Ages said something entirely opposite to this: that it was precisely lack of leisure, an inability to be at leisure, that went together with idleness; that the restlessness of work-for-work's sake arose from nothing other than idleness. There is a curious connection in the fact that the restlessness of a self-destructive work-fanatacism should take its rise from the absence of a will to accomplish something."
"Leisure stands in a perpendicular position with respect to the working process — in just the same way as the "simple gaze" of intellectus does not consist in the "duration" (so to speak) of ratios working-out process, but instead cuts through it at the perpendicular (the ancients compared the ratio with time, the intellectus with the "always now" of eternity)."
"In leisure — not only there, but certainly there, if anywhere — the truly human is rescued and preserved precisely because the area of the "just human" is left behind over and over again — and this is not brought about through the application of extreme efforts but rather as with a kind of "moving away" (and this "moving" is of course more difficult than the extreme, active effort; it is "more difficult" because it is less at one's own disposal; the condition of utmost exertion is more easily to be realized than the condition of relaxation and detachment, even though the latter is effortless: this is the paradox that reigns over the attainment of leisure, which is at once a human and superhuman condition). As Aristotle said of it: "man cannot live this way insofar as he is man, but only insofar as something divine dwells in him." [Nichomachean Ethics X, 7 (1177b27–28)]"
"To experience and live out a harmony with the world, in a manner quite different from that of everyday life — this, we have said, is the meaning of "festival." But no more intense harmony with the world can be thought of than that of "Praise of God," the worship of the Creator of this world. Now, as I have often experienced, this statement is often received with a mixture of discomfort and various other feelings, but its truth cannot be denied. The most festive festival that can be celebrated is religious worship or "cult," and there is no festival that does not get its life from such worship or does not actually derive its origin from this. There is no worship "without the gods," whether it be mardi gras or a wedding."
"The statement is made with certainty: a festival that does not get its life from worship, even though the connection in human consciousness be ever so small, is not to be found. To be sure, since the French Revolution, people have tried over and over to create artificial festivals without any connection with religious worship, or even against such worship, such as the "Brutus Festival" or "Labor Day," but they all demonstrate, through the forced and narrow character of their festivity, what religious worship provides to a festival. […] Clearer than the light of day is the difference between the living, rooted trees of genuine cultic festival and our artificial festivals that resemble those "maypoles," cut at the roots, and carted here and there, to be planted for some definite purpose. Of course we may have to prepare ourselves for the possibility that we are only at the dawn of an age of artificial festivals. Were we [in Germany] prepared for the possibility that the official forces, and especially the bearers of political power, would artificially create the appearance of the festive with so huge an expense in external arrangements? And that this seductive, scarcely delectable appearance of artificial "holidays" would be so totally lacking in the essential quality, that true and ultimate harmony with the world? And that such holidays would in fact depend on the suppression of that harmony and derive their dangerous seduction from that very fact?"
"Within the world of total work, the "festival" is either "a break from work" (and thus only there for the sake of work), or it is a more intensive celebration of the principles of work itself (as in the "Labor Days," and thus belongs, again, to the working world). There will naturally be "games" — like the Roman circences — but who would dignify the amusements for the masses with the name of "festival"?"
"In the effort to regain a space of true leisure, to bring about a fundamentally correct attitude and "exercise" of leisure, the real difficulty of this so-often despaired-of project consists in the fact that the ultimate root of leisure lies outside the range of our responsible, voluntary action. The fullest harmony with the world, to be precise, cannot come about on the basis of a voluntary decision. Above all, one cannot simply "make" it happen for some ulterior purpose. There are certain things which one cannot do "in order to ..." do something else."
"Worship itself is a given — or it does not exist at all."
"When the physicist poses the question, "What does it mean to do physics?" or "What is research in physics?" — his question is a preliminary question. Clearly, when you ask a question like that, and try to answer it, you are not "doing physics." Or rather you are no longer doing physics. But when you ask yourself, "What does it mean to do philosophy?" then you actually are "doing philosophy" — this is not at all a "preliminary" question but a truly philosophical one: you are right at the heart of the business."
"It pertains to the very nature of a philosophical question that its answer will not be a "perfectly rounded truth" (as Parmenides said it), grasped in the hand like an apple plucked from a tree."
"Of course in the present day […] the world of work begins to become — threatens to become — our only world, to the exclusion of all else. The demands of the working world grow ever more total, grasping ever more completely the whole of human existence."
"It could even be said, perhaps, that this very opposition, this threat from the world of total work, is what characterizes the situation of philosophy today more than its own particular content. Philosophy increasingly adopts — necessarily, it seems — the character of the alien, of mere intellectual luxury, of that which seems ever more intolerable and unjustifiable, the more exclusively the demands of the daily world of work take over the world of man."
"Now it is not our purpose here to condemn this world, from the standpoint of some "holiday-world" of philosophy. No words need be wasted on saying that this work-a-day world is very much with us, that in it the foundations of our physical existence are secured, without which no one can philosophize at all! Nevertheless, let us also recall, that among the voices which fill the workplace and the markets ("How do you get this or that item of daily existence?" "Where do you get that?" etc.) — in the midst of all these voices suddenly one calls above the rest: "Why is there anything at all, and not nothing?" — asking that age-old question, which Heidegger called the basic question of all metaphysics! Must we explicitly state how unfathomable this philosopher's question is, in comparison with that everyday world of needs and purposefulness? If such a question as this were asked, without introduction or interpretation, in the company of those people of efficiency and success, wouldn't the questioner be considered rather … mad?"
"No less incommensurable with the working-world than the philosophical question is the sound of true poetry. […] The lover, too, stands outside the tight chain of efficiency of this working world, and [so does] whoever else approaches the margin of existence through some deep existential disturbance (which always brings a "shattering" of one's environment), or through, say, the proximity of death."
"And as for the close connection between philosophy and poetry, we can refer to a little-known statement by Thomas Aquinas in his Commentary on Aristotle's Metaphysics [I, 3]: the Philosopher is akin to the Poet in this, that both are concerned with the mirandum, the "wondrous," the astonishing, or whatever calls for astonishment or wonder. This statement is not that easy to fathom, since Thomas, like Aristotle, was a very sober thinker, completely opposed to any Romantic confusion of properly distinct realms. But on the basis of their common orientation towards the "wonderful" (the mirandum — something not to be found in the world of work!) — on this basis, then, of this common transcending-power, the philosophical act is related to the "wonderful," is in fact more closely related to it than to the exact, special sciences; to this point we shall return."
"To philosophize (we have already asked, What empowers the philosophical act to transcend the working-world?) — to philosophize means to take a step outside of the work-a-day world into the vis-à-vis de l'univers. It is a step which leads to a kind of "homeless"-ness: the stars are no roof over the head. It is a step, however, that constantly keeps open its own retreat, for the human being cannot live long in this way."
"How does the philosophical question differ from the non-philosophical question? To philosophize means, we said, to direct one's view toward the totality of the world. So is that a philosophical question (and that alone) which has for its explicit and formal theme the sum-total of all existing things? No! What is peculiar and distinctive about a philosophical question is that it cannot be posed, considered, or answered (so far at least as an answer is possible) without "God and the world" also coming into consideration, that is, the whole of what exists."
"Since "the answers of the special sciences" do not reach "the horizon of total reality", they are given "without having to speak at the same time of 'God and the world.'"
"And in this, that philosophy begins in wonder [Plato, Theaetetus 155d], lies the, so to speak, non-bourgeois character of philosophy; for to feel astonishment and wonder is something non-bourgeois (if we can be allowed, for a moment, to use this all-too-easy terminology). For what does it mean to become bourgeois in the intellectual sense? More than anything else, it means that someone takes one's immediate surroundings (the world determined by the immediate purposes of life) so "tightly" and "densely," as if bearing an ultimate value, that the things of experience no longer become transparent. The greater, deeper, more real, and (at first) invisible world of essences is no longer even suspected to exist; the "wonder" is no longer there, it has no place to come from; the human being can no longer feel wonder. The commonplace mind, rendered deaf-mute, finds everything self-explanatory. But what really is self-explanatory? Is it self-explanatory, then, that we exist? Is it self-explanatory that there is such a thing as "seeing"? These are questions that someone who is locked into the daily world cannot ask; and that is so because such a person has not succeeded, as anyone whose senses (like a deaf person) are simply not functioning — has not managed even for once to forget the immediate needs of life, whereas the one who experiences wonder is one who, astounded by the deeper aspect of the world, cannot hear the immediate demands of life — if even for a moment, that moment when he gazes on the astounding vision of the world."
"If someone needs the "unusual" to be moved to astonishment, that person has lost the ability to respond rightly to the wondrous, the mirandum, of being. The hunger for the sensational, posing, as it may, in "bohemian garb," is an unmistakable sign of the loss of the true power of wonder, for a bourgeois-ized humanity."