Jim Morrison
35 quotes
Biography
James Douglas Morrison was an American singer-songwriter and poet who was the lead vocalist and primary lyricist of the rock band the Doors. Due to his charismatic persona, poetic lyrics, distinctive voice, and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history.
"I think in art, but especially in films, people are trying to confirm their own existences."
"The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first."
"Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free."
"People fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah, I guess it is a friend."
"Friends can help each other. A true friend is someone who lets you have total freedom to be yourself - and especially to feel. Or, not feel. Whatever you happen to be feeling at the moment is fine with them. That's what real love amounts to - letting a person be what he really is."
"No one here gets out alive."
"There are things known and there are things unknownand in between are the doors."
"Some of the worst mistakes in my life were haircuts"
"I think the highest and lowest points are the important ones. Anything else is just...in between."
"I've noticed that when people are joking they're usually dead serious, and when they're serious, they're usually pretty funny."
"Listen, real poetry doesn't say anything; it just ticks off the possibilities. Opens all doors. You can walk through anyone that suits you."
"I am troubled, immeasurablyby your eyes. I am struck by the featherof your soft reply.The sound of glassspeaks quick, disdainand concealswhat your eyes fightto explain."
"We're reaching for death on the end of a candle We're trying for something that's already found us"
"Is everybody in? Is everybody in? Is everybody in? The ceremony is about to begin. The entertainment for this evening is not new, you've seen this entertainment through and through you have seen your birth, your life, your death....you may recall all the rest. Did you have a good world when you died? -enough to base a movie on??"
"I'll never wake up in a good mood again.I'm tired of these stinky boots"
"A friend is someone who gives you total freedom to be yourself."
"This is the strangest life I have ever known."
"If my poetry aims to achieve anything, it's to deliver people from the limited ways in which they see and feel."
"It hurts to set you free, but you’ll never follow me."
"Take an Indian home to lunch."
"The future's uncertain and the end is always near"
"This is the strangest life I’ve ever known."
"I see myself as a huge fiery comet, a shooting star. Everyone stops, points up and gasps "Oh look at that!" Then — whoosh, and I'm gone... and they'll never see anything like it ever again... and they won't be able to forget me — ever."
"People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but that’s bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if they’re afraid to feel? Pain is meant to wake us up. People try to hide their pain. But they’re wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. It’s all in how you carry it. That’s what matters. Pain is a feeling. Your feelings are a part of you. Your own reality. If you feel ashamed of them, and hide them, you’re letting society destroy your reality. You should stand up for your right to feel your pain."
"Cinema has evolved in two paths. One is spectacle. Like the phantasmagoria, its goal is the creation of a total substitute sensory world. The other is peep show, which claims for its realm both the erotic and the untampered observance of real life, and imitates the keyhole or voyeur's window without need of color, noise, grandeur."