E. M. Forster
124 quotes
Biography
Edward Morgan Forster was an English author. He is best known for his novels, particularly A Room with a View (1908), Howards End (1910) and A Passage to India (1924).
"Only a struggle twists sentimentality and lust together into love."
"Works of art, in my opinion, are the only objects in the material universe to possess internal order, and that is why, though I don't believe that only art matters, I do believe in Art for Art's sake."
"We must be willing to let go of the life we have planned, so as to have the life that is waiting for us."
"History develops, art stands still."
"Love is always being given where it is not required."
"To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way."
"The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists."
"One must be fond of people and trust them if one is not to make a mess of life."
"If escapes the oblivion he so much dreaded, it will be neither as doctor nor as mathematician, but because, at the end of his life, he wrote a little book about himself, and wrote it in the right way. He had always been interested in the subject; and fragments of autobiography occur in most of his works. Now he gives it undivided attention, and endeavours, through fifty-four chapters, to describe his character, constitution, and fortunes. He might have been to us merely a person of some importance in his time—a funny old man who pottered about, four centuries ago, besides the springs of science. Hitherto his egotism has rescued him. He is so supremely interesting to himself, that he cannot but interest others; and his little book ranks among the great autobiographies of the world."
"I am the means and not the end. I am the food and not the life. Stand by yourself, as that boy has stood. I cannot save you. For poetry is a spirit; and they that would worship it must worship in spirit and in truth."
"Sir, – Mr A. A. Milne's brilliant article deserves special thanks for its scathing analysis of 'the sanctity of our graves in Gallipoli'. Our rulers knew that their policy would not be popular, and in the hope of stampeding us into it they permitted this vile appeal – the viler because the sentiment that it tries to pervert is a noble one and purifies the life of a nation when directed rightly. The bodies of the young men who are buried out there have no quarrel with one another now, no part in our quarrels or interest in our patronage, no craving for holocausts of more young men. Anyone who has himself entered, however feebly, into the life of the spirit, can realize this. It is only the elderly ghouls of Whitehall who exhume the dead for the purpose of party propaganda and employ them as a bait to catch the living... At the next election can we not provide them with a quiet retreat of their own? Its sanctity should be inviolable."
"There is fascism, leading only into the blackness which it has chosen as its symbol, into smartness and yapping out of orders, and self-righteous brutality, into social as well as international war. It means change without hope. Our immediate duty — in that tinkering which is the only useful form of action in our leaky old tub — our immediate duty is to stop it."
"I know very well how limited and how open to criticism, English freedom is. It is race-bound and it's class-bound. It means freedom for the Englishman, but not for the subject-races of his Empire. If you invite the average Englishman to share his liberties with the inhabitants of India or Kenya, he will reply, "Never," if he is a Tory, and "Not until I consider them worthy" if he is a Liberal."
"As for my politics, you will have guessed that I am not a Fascist — Fascism does evil that evil may come. And I am not a Communist, though perhaps I might be one if I was a younger and braver man, for in Communism I see hope. It does many things which I think evil, but I know that it intends good. I am actually what my age and my upbringing have made me — a bourgeois who adheres to the British constitution, adheres to it rather than supports it, and the fact that this isn't dignified doesn't worry me. I do care about the past. I do care about the preservation and extension of freedom."
"I enjoy French poetry as well as French prose, and I believe that this land must have some cultural connection with the European continent, and that she is best connected through her spiritual complement across the Straits of Dover."
"Music is the deepest of the arts and deep beneath the arts."
"The really bad people, it seems to me, are those who do no good anywhere and help no one either at home or abroad. There are plenty of them about, and when they are clever as well as selfish they often manage to slip through their lives unnoticed, and so escape the censure of historians."
"This slight humorous anti-Semitism is characteristic. Not until the present century did the British middle classes realise what jokes about Jews can lead to."
"Romance only dies with life. No pair of pincers will ever pull it out of us. But there is a spurious sentiment which cannot resist the unexpected and the incongruous and the grotesque. A touch will loosen it, and the sooner it goes from us the better."
"A wonderful physical tie binds the parents to the children; and — by some sad, strange irony — it does not bind us children to our parents. For if it did, if we could answer their love not with gratitude but with equal love, life would lose much of its pathos and much of its squalor, and we might be wonderfully happy."
"I never expect anything to happen now, and so I am never disappointed. You would be surprised to know what my great events are. Going to the theatre yesterday, talking to you now — I don't suppose I shall ever meet anything greater. I seem fated to pass through the world without colliding with it or moving it — and I'm sure I can't tell you whether the fate's good or evil. I don't die — I don't fall in love. And if other people die or fall in love they always do it when I'm just not there. You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before."
"This woman was a goddess to the end. For her no love could be degrading: she stood outside all degradation. This episode, which she thought so sordid, and which was so tragic for him, remained supremely beautiful. To such a height was he lifted, that without regret he could now have told her that he was her worshipper too. But what was the use of telling her? For all the wonderful things had happened. "Thank you," was all that he permitted himself. "Thank you for everything.""
"The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The common place person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but transalate his visions into human words, and his experiences into human actions."
"Life is easy to chronicle, but bewildering to practice."
"It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know from experience that the poets are right: love is eternal."