Dylan Thomas
30 quotes
Biography
Dylan Marlais Thomas was a Welsh poet and writer, whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood. He also wrote stories and radio broadcasts such as A Child's Christmas in Wales and Portrait of the Artist as a Young Dog.
"Though lovers be lost love shall not."
"Do not go gentle into that good night.Rage, rage against the dying of the light."
"Do not go gentle into that good night,Old age should burn and rave at close of day;Rage, rage against the dying of the light."
"Though lovers be lost, love shall not; And death shall have no dominion."
"I know we're not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don't know anything at all, and our horrid inner secret is that we don't care that we don't."
"...Time held me green and dyingThough I sang in my chains like the sea."
"The only sea I saw Was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs."
"Poetry is not the most important thing in life... I'd much rather lie in a hot bath reading Agatha Christie and sucking sweets."
"My education was the liberty I had to read indiscriminately and all the time, with my eyes hanging out."
"[I'm]a freak user of words, not a poet."
"I sang in my chains like the sea"
"After the first death, there is no other."
"One Christmas was so much like another, in those years around the sea-town corner now, out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six."
"It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine tonight in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now."
"Land of my fathers? My fathers can keep it!"
"Give me a sheet of paper & I can’t help filling it in. The result—more often than not—is good & bad, serious & comic, sincere & insincere, lucid or nonsensical by the turns of my whirligig mentality, started from the wrong end, a mentality that ran before it walked, & perhaps will never walk, that wanted to fly before it had the right even to think of wings."
"None of us today want to read poems which we can understand as easily as the front page of the Express."
"You'll never, I'll never let you, grow wise, and I'll never, you shall never let me, grow wise, and we'll always be young and unwise together. There is, I suppose, in the eyes of the They, a sort of sweet madness about you and me, a sort of mad bewilderment and astonishment oblivious to the Nasties and the Meanies; you’re the only person, of course you’re the only person from here to Aldebaran and back, with whom I’m free entirely; and I think it’s because you’re as innocent as me. Oh I know we're not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don’t know anything at all, and our horrid inner secret is that we don’t care that we don’t."
"Very much of my poetry is, I know an enquiry and a terror of fearful expectation, a discovery and facing of fear. I hold a beast, an angel, and a madman in me, and my enquiry is as to their working, and my problem is their subjugation and victory, downthrow & upheaval, and my effort is their self-expression."
"I wanted to write poetry in the beginning because I had fallen in love with words."
"The first poems I knew were nursery rhymes, and before I could read them for myself I had come to love just the words of them, the words alone. What the words stood for, symbolized, or meant, was of very secondary importance."
"I did not care what the words said, overmuch, nor what happened to Jack & Jill & the Mother Goose rest of them; I cared for the shapes of sound that their names, and the words describing their actions, made in my ears; I cared for the colours the words cast on my eyes."
"I fell in love — that is the only expression I can think of — at once, and am still at the mercy of words, though sometimes now, knowing a little of their behavior very well, I think I can influence them slightly and have even learned to beat them now and then, which they appear to enjoy."
"The joy and function of poetry is, and was, the celebration of man, which is also the celebration of God."
"He who seeks rest finds boredom. He who seeks work finds rest."