Jacob Bronowski
116 quotes
Biography
Jacob Bronowski was a Polish-British mathematician and philosopher. He is best known for developing a humanistic approach to science, and as the presenter and writer of the thirteen-part 1973 BBC television documentary series, and accompanying book, The Ascent of Man.
"This is the concentration camp and crematorium at Auschwitz. This is where people were turned into numbers. Into this pond were flushed the ashes of some four million people. And that was not done by gas. It was done by arrogance. It was done by dogma. It was done by ignorance. When people believe that they have absolute knowledge, with no test in reality, this is how they behave."
"Science, like art, is not a copy of nature but a re-creation of her."
"These are the moments when the powerful mind or the forceful character feels the ferment of the times, when his thoughts quicken, and when he can inject into the uncertainties of others the creative ideas which will strengthen them with purpose. At such a moment the man who can direct others, in thought or in action, can remake the world."
"The air in a man's lungs contains 10,000,000,000,000,000,000,000 atoms, so that sooner or later every one of us breathes an atom that has been breathed before by anyone you can think of who has ever lived — Michelangelo or George Washington or Moses."
"I grew up to be indifferent to the distinction between literature and science, which in my teens were simply two languages for experience that I learned together."
"The most modest research worker at his bench, pushing a probe into a neuron to measure the electric response when a light is flashed, is enmeshed in a huge and intertwined network of theories that he carries into his work from the whole field of science, all the way from Ohm’s law to Avogadro's number. He is not alone; he is sustained and held and in some sense imprisoned by the state of scientific theory in every branch. And what he finds is not a single fact either: it adds a thread to the network, ties a knot here and another there, and by these connections at once binds and enlarges the whole system."
"The progress of science is the discovery at each step of a new order which gives unity to what had long seemed unlike. Faraday did this when he closed the link between electricity and magnetism. Clerk Maxwell did it when he linked both with light. Einstein linked time with space, mass with energy, and the path of light past the sun with the flight of a bullet; and spent his dying years in trying to add to these likenesses another, which would find a single imaginative order between the equations between Clerk Maxwell and his own geometry of gravitation When Coleridge tried to define beauty, he returned always to one deep thought: beauty he said, is "unity in variety." Science is nothing else than the search to discover unity in the wild variety of nature — or more exactly, in the variety of our experience."
"It has been one of the most destructive modern prejudices that art and science are different and somehow incompatible interests. We have fallen into the habit of opposing the artistic to the scientific tempers; we even identify them with a creative and a critical approach."
"The sneer that science is only critical came from others. It was made by the timid and laboured artists of the nineties in order that they might by comparison appear to be creative and intuitive. Yet this finesse could not hide their own knowledge that the best minds were already being drawn to the more adventurous practice of the new sciences."
"Science is not a special sense. It is as wide as the literal meaning of its name: knowledge."
"Many people affect to believe that science has progressively strangled the arts, or distorted them into some unpleasant “modern” form; and therefore that the arts can be revived only by throwing over science. Often of course this is merely an elderly sentiment in favour of the art of our younger days, and the real scapegoat is not science but change."
"Science changes our values in two ways. It injects new ideas into the familiar culture. And it subjects it to the pressure of technical change, in the way I have just been describing, until the whole basis of our culture has imperceptibly been remade."
"Science and the arts shared the same language at the Restoration. They no longer seem to do so today. But the reason is that they share the same silence: they lack the same language. And it is the business of each of us to make that one universal language which alone can unite art and science, and layman and scientist, in a common understanding."
"There are three creative ideas which, each in its turn, have been central to science. They are the idea of order, the idea of causes, and the idea of chance."
"Unhappily, common sense has no recorded history."
"Newton was born during Cromwell’s revolution in the troubled 1640s; he was eighteen at the Restoration in 1660; and he published the Principia during the intrigues which ended by bringing William of Orange to England in the revolution of 1688. These are the moments when the powerful or the forceful character feels the ferment of the times, when his thoughts quicken and when he can inject into the uncertainties of others the creative ideas which will strengthen them with purpose. At such a moment the man who can direct others, in thought or in action, can remake the world."
"There has never been another moment in English history to equal the promise of that moment in the 1660’s when the Royal Society was formally founded. And though it was less dramatic elsewhere, it was a high moment throughout Europe."
"About 1660 therefore, Europe was in the course of a great revolution in thought. This was the Scientific Revolution, and it reached into all forms of culture. We sometimes speak as if science has step by step squeezed other interests out of our culture, and is slowly strangling the traditional ways of thinking. Nothing of the kind. The Scientific Revolution in the seventeenth century was a universal revolution. Indeed it could not have begun unless there had already been a deep change in the attitude to everything natural and super-natural among thoughtful men."
"The great flood was the seventeenth century. That was the time of change, the hanging moment of instability in which men like Cromwell and Newton could remake the world."
"The whole structure of thought in the Middle Ages is one which we find hard to grasp today. It was an orderly structure, but the principles by which it was ordered seem to us now outlandish and meaningless."
"Nature does not provide identical objects; on the contrary, these are always human creations. What nature provides is a tree full of apples which are all recognisably alike and yet are not identical, small apples and large ones, red ones and pale ones, apples with maggots and apples without. To make a statement about all these apples together, and about crab-apples, Orange Pippins, and Beauties of Bath, is the whole basis of reasoning."
"This ability to order things into likes and unlikes is, I think, the foundation of human thought."
"On the one hand, all science, and indeed all thinking starts from and rests upon notions of order; what marks the Middle Ages is that their order was always a hierarchy. And on the other hand what marks the scientific view is not that it turned to the mechanism of causes, but that it saw the world as a mechanism at all—a machine of events."
"The Scientific Revolution revolution was a change from a world of things ordered according to their ideal nature, to a world of events running in a steady mechanism of before and after."
"Of these massive achievements I shall single out two. One is Newton’s working out of the concept of the cause, by making it over from its scholastic form in, say, St. Thomas Aquinas, to the modern form which now seems so obvious to us. This is one theme in this chapter. But I shall go to it by way of a related achievement, and to my mind one which is as remarkable: the marriage of the logical with the empirical method."