Quotes about shelley Quotes
26 quotes
"poetry, as Percy Shelley observed, is like a great river into which thousands of tributaries flow."
"The other people that I was simply made for were the Romantic poets. Shelley, in particular, and Keats."
"After dinner Mr. Mill read us Shelley's Ode to Liberty & he got quite excited & moved over it rocking backwards & forwards & nearly choking with emotion; he said himself: “it is almost too much for one.”"
"Shelley is a unique poet, one of the most original in the language, and he is in many ways the poet proper, as much so as any in the language. His poetry is autonomous, finely wrought, in the highest degree imaginative, and has the spiritual form of vision stripped of all veils and ideological coverings, the vision many readers justly seek in poetry, despite the admonitions of a multitude of churchwardenly critics."
"Lucretius and his tradition taught Shelley that freedom came from understanding causation."
"Shelley, who in Prometheus Unbound had observed that the wise lack love and those who have love lack wisdom, went to his end in The Triumph of Life asking why good and the means of good were irreconcilable."
"Poor soul, he has always seemed to me an extremely weak creature, and lamentable much more than admirable. Weak in genius, weak in character (for these two always go together); a poor thin, spasmodic, hectic, shrill and pallid being; -- one of those unfortunates, of whom I often speak, to whom the 'talent of silence', first of all, has been denied. The speech of such is never good for much. Poor Shelley, there is something void and Hades-like in the whole inner-world of him; his universe is all vacant azure, hung with a few frosty mournful if beautiful stars; the very voice of him (his style &c), shrill, shrieky, to my ear has too much of the ghost!"
"The ideas of Shelley seem to me always to be ideas of adolescence—as there is every reason why they should be. And an enthusiasm for Shelley seems to me also to be an affair of adolescence: for most of us, Shelley has marked an intense period before maturity, but for how many does Shelley remain the companion of age? I confess that I never open the volume of his poems simply because I want to read poetry, but only with some special reason for reference. I find his ideas repellent; and the difficulty of separating Shelley from his ideas and beliefs is still greater than with Wordsworth. And the biographical interest which Shelley has always excited makes it difficult to read the poetry without remembering the man: and the man was humourless, pedantic, self-centred, and sometimes almost a blackguard."
"The torch which was lighted by Mary Wollstonecraft was never afterwards extinguished; there are glimpses of its light in the poems of her son-in-law Shelley. The frequent references to the principle of equality between men and women in the Revolt of Islam will occur to every reader."
"At last, at the age of 17 I came across Shelley, whom no one had ever told me about. He remained for many years the man I loved most among the great men of the past."
"Emotional sorrow has inspired many sublime lyrics, much profound insight and poetic exultation of a Byron, Shelley, Heine, and their kind."
"He rose early in the morning, walked and read before breakfast, took that meal sparingly, wrote and studied the greater part of the morning, walked and read again, dined on vegetables (for he took neither meat nor wine) conversed with his friends (to whom his house was ever open), again walked out, and usually finished with reading to his wife till ten o'clock, when he went to bed. This was his daily existence. His book was generally Plato, or Homer, or one of the Greek tragedies, or the Bible, in which last he took a great, though peculiar, and often admiring interest."
"All literature, all art, best seller or worst, must be sincere, if it is to be successful...Only a person with a Best Seller mind can write Best Sellers; and only someone with a mind like Shelley's can write Prometheus Unbound. The delicate forger has little chance with his contemporaries and none at all with posterity."
"Shelley I saw once. His voice was the most obnoxious squeak I ever was tormented with, ten thousand times worse than the Laureat's, who voice is the worst part about him, except his Laureatship."
"Shelley's...ability to communicate a fluid, dynamic vision in different literary forms is abundantly evident in his writings in Italy (1818-22), where he produced some of the finest poetry of the Romantic period"
"Shelley was not gifted for drama or narrative. Having said this, I realize that I had forgotten the conventional standing of The Cenci; but controversy may be postponed: it is at any rate universally agreed that (to shift tactfully to positive terms) Shelley's genius was "essentially lyrical"."
"Shelley’s poetry represents a variety of kinds, most of them traditional. ... In all these kinds Shelley produces works which, though not perfect, are in one way more satisfactory than any of Dryden’s longer pieces: that is to say, they display a harmony between the poet’s real and professed intention, they answer the demands of their forms, and they have unity of spirit. Shelley is at home in his best poems, his clothes, so to speak, fit him, as Dryden’s do not. The faults are faults of execution, such as over-elaboration, occasional verbosity, and the like: mere stains on the surface."
"Dante is eminently the poet of beatitude. He has not only no rival, but none second to him. But if we were asked to name the poet who most nearly deserved this inaccessible proxime accessit, I should name Shelley. Indeed, my claim for Shelley might be represented by the proposition that Shelley and Milton are, each, the half of Dante."
"No body of men have ever been so "un-English" as the great Englishmen, Nelson, Shelley, Gladstone: supreme in war, in literature, in practical affairs; yet with no single evidence in the characteristics of their energy that they possess any of the qualities of the English blood. But in submitting to the leadership of such perplexing variations from the common stock, the Englishman is merely exhibiting his general capacity for accepting the universe, rather than for rebelling against it."
"Some of the metaphysical and ethical theories of Shelley were certainly most absurd and pernicious. But we doubt whether any modern poet has possessed in an equal degree some of the highest qualities of the great ancient masters. The words bard and inspiration, which seem so cold and affected when applied to other modern writers, have a perfect propriety when applied to him. He was not an author, but a bard. His poetry seems not to have been an art, but an inspiration. Had he lived to the full age of man, he might not improbably have given to the world some great work of the very highest rank in design and execution."
"The things we liked most of course were the things that more or less selected or symbolized our own feelings of conditions and life in general...Later, we found "The Masque of Anarchy" by Shelley, and of course in addition to that there were the Jewish poets, like Rosenfeld and Edelshtat."
"Most of the great critics of English poetry have also been poets: Sir Philip Sidney, Samuel Johnson, Coleridge, Shelley, T.S. Eliot, and Ezra Pound, to name a few."
"Shelley appealed to me from his hatred of tyranny. And also from his very vivid sense of beauty, natural beauty, and every kind of beauty. And I thought he sort of portrayed a lovely world of the imagination."
"Shelley, whose talents would otherwise have made him eligible, was an outcast from the first ... They always knew where to draw the line and they drew it, emphatically, at Shelley. I was informed that Byron could be forgiven because, though he had sinned, he had been led into sin by the unfortunate circumstances of his youth, and had always been haunted by remorse, but that for Shelley's moral character there was nothing to be said since he acted on principle and therefore he could not be worth reading."
"I regard Shelley's early 'atheism' and later Pantheism, as simply the negative and the affirmative side of the same progressive but harmonious life-creed. In his earlier years his disposition was towards a vehement denial of a theology which he never ceased to detest; in his maturer years he made more frequent reference to the great World Spirit in whom he had from the first believed. He grew wiser in the exercise of his religious faith, but the faith was the same throughout; there, was progression, but no essential change."
"Shelley resembled Blake in the contrast of feeling with which he regarded the Christian religion and its founder. For the human character of Christ he could feel the deepest veneration, as may be seen not only from the "Essay on Christianity," but from the "Letter to Lord Ellenborough" (1812), and also from the notes to "Hellas" and passages in that poem and in "Prometheus Unbound"; but he held that the spirit of established Christianity was wholly out of harmony with that of Christ, and that a similarity to Christ was one of the qualities most detested by the modern Christian. The dogmas of the Christian faith were always repudiated by him, and there is no warrant whatever in his writings for the strange pretension that, had he lived longer, his objections to Christianity might in some way have been overcome."