Quotes about chesterton Quotes
9 quotes
"The insistence of the Christian doctrine on man's limited condition was somehow enough of a philosophy to allow its adherents a very deep insight into the essential inhumanity of all those modern attempts – psychological, technical, biological – to change man into the monster of superman. They realized that a pursuit of happiness which actually means to wipe away all tears will pretty quickly end by wiping out all laughter. It was again Christianity which taught them that nothing human can exist beyond tears and laughter, except the silence of despair."
"Mr Chesterton was not mistaken in his vocation when he set out to write stories. He is a born story-teller, which is quite a different thing from being a born novelist. The old trade of story-telling is, as he himself has said, a much older thing than the modern art of fiction. The Oriental who spread his carpet in the marketplace, the medieval bard who sang a ballad at his master's feast, made no appeal to that curiosity about the varieties of the human soul which is increasingly the inspiration of the modern novel. If he touched on human psychology at all he dealt only with those primal passions and desires which are common to all normal men. But, for the interest of his art, he depended simply upon his capacity to tell a good story, and to tell it well. In the last resort, Mr. Chesterton's novels depend for their interest on the same power.<!--p.202-->"
"I consider it as being without possible comparison the best book ever written on St. Thomas. Nothing short of genius can account for such an achievement. Everybody will no doubt admit that it is a ‘clever’ book, but the few readers who have spent twenty or thirty years in studying St. Thomas...cannot fail to perceive that the so-called ‘wit’ of Chesterton has put their scholarship to shame. He has guessed all that which we had tried to demonstrate, and he has said all that which they were more or less clumsily attempting to express in academic formulas. Chesterton was one of the deepest thinkers who ever existed; he was deep because he was right; and he could not help being right; but he could not either help being modest and charitable, so he left it to those who could understand him to know that he was right, and deep; to the others, he apologized for being right, and he made up for being deep by being witty. That is all they can see of him."
"There is great poetry being written now. G.K. Chesterton, for instance."
"Several books I purchased on my trip, among them G. K. Chesterton's The Ballad of the White Horse. Ever read it? It's great."
"To speak of ideals and their significance as goals to be reached for is to put one's finger on an ever-recurring theme in Chesterton's productive life, the indignant rejection of pessimism in any and all of its forms. This is not to say that he was unaware that there is evil — a great deal of it — in this world. His life was one continuous campaign against the evils he perceived, one of the chief of which was the denial that there is good in the world, the denial that life is basically good."
"Ten or twenty years ago, the form of nationalism most closely corresponding to Communism today was political Catholicism. Its most outstanding exponent – though he was perhaps an extreme case rather than a typical one – was G. K. Chesterton. Chesterton was a writer of considerable talent who chose to suppress both his sensibilities and his intellectual honesty in the cause of Roman Catholic propaganda. During the last twenty years or so of his life, his entire output was in reality an endless repetition of the same thing, under its laboured cleverness as simple and boring as ‘Great is Diana of the Ephesians’. Every book that he wrote, every paragraph, every sentence, every incident in every story, every scrap of dialogue, had to demonstrate beyond possibility of mistake the superiority of the Catholic over the Protestant or the pagan. But Chesterton was not content to think of this superiority as merely intellectual or spiritual: it had to be translated into terms of national prestige and military power, which entailed an ignorant idealization of the Latin countries, especially France. Chesterton had not lived long in France, and his picture of it – as a land of Catholic peasants incessantly singing the Marseillaise over glasses of red wine – had about as much relation to reality as Chu Chin Chow has to everyday life in Baghdad. And with this went not only an enormous over-estimation of French military power (both before and after 1914-18 he maintained that France, by itself, was stronger than Germany), but a silly and vulgar glorification of the actual process of war. Chesterton’s battle poems, such as ‘Lepanto’ or ‘The Ballad of Saint Barbara’, make ‘The Charge of the Light Brigade’ read like a pacifist tract: they are perhaps the most tawdry bits of bombast to be found in our language. The interesting thing is that had the romantic rubbish which he habitually wrote about France and the French army been written by somebody else about Britain and the British army, he would have been the first to jeer. In home politics he was a Little Englander, a true hater of jingoism and imperialism, and according to his lights a true friend of democracy. Yet when he looked outwards into the international field, he could forsake his principles without even noticing he was doing so. Thus, his almost mystical belief in the virtues of democracy did not prevent him from admiring Mussolini. Mussolini had destroyed the representative government and the freedom of the press for which Chesterton had struggled so hard at home, but Mussolini was an Italian and had made Italy strong, and that settled the matter. Nor did Chesterton ever find a word to say about imperialism and the conquest of coloured races when they were practised by Italians or Frenchmen. His hold on reality, his literary taste, and even to some extent his moral sense, were dislocated as soon as his nationalistic loyalties were involved."
"The meeting between Chesterton and Il Duce occurred in 1929, ten years before the war, at a time when, whatever his other faults, Mussolini had reintroduced a mark spirit of optimism and freshness to an Italy that had formerly been pessimistic and stagnant. Throughout the 1920s, Chesterton thought he saw in the Italian leader qualities that might have offset certain evils in Britain. It is important to keep in mind that whatever the misreadings of fascism, Chesterton always had some quite specific British problem in view when he praises Mussolini."
"I have the greatest possible admiration for “Tremendous Trifles” and the other fairy tales – Heavens! how I can see Mr. Chesterton's beaming face crying happily, “But that’s just it! Life is a fairy tale!” Heavens! – but I believe his view of life to be based on a misconception. To put it in a theological way, he denies that God made the brain as well as the heart. He despises wisdom...Like all sentimentalists he is cruel."