“I heard a voice saying hello and I looked down. Standing down there was a very small Kate Bush. … She wanted to explain what her video was about. I let her in. She sat down, said some stuff. All I heard was "Wilhelm Reich". I’d taken an underground copy of his The Mass Psychology of Fascism with me when I went to film Bertolucci’s Novecento in Parma. Reich’s work informed the psychological foundations of Attila Mellanchini, the character Bernardo had cast me to play. Everything about Reich echoed through me. He was there then and now he was here. Sitting across from me in the person of the very eloquent Kate Bush. Synchronicity. Perfect. She talked some more. I said OK and we made Cloudbusting. She’s wonderful, Kate Bush. Wonderful. I love that I did it.”
“I love to work. I passionately love to work. I love to feel my hand fit into the glove of some other character. I find a huge freedom — time stops for me. I’m not as crazy as I used to be, but I’m sti...”
Donald Sutherland
“[Asked if he was conscious of being an unusual actor] Well, I was always cast as an artistic homicidal maniac. But at least I was artistic!”
Donald Sutherland
“We had a housekeeper in Canada, a wonderful woman, whose father raped all of his daughters. She went to see him when he was dying and said, "I'm here to forgive you." He said, "Forgiveness for what? I...”
Donald Sutherland
“I’m really hoping that in some movie I’m doing, I die — but I die, me, Donald — and they’re able to use my funeral and the coffin … That would be absolutely ideal. I would love that.”
Donald Sutherland
“I wanted it to be a piece of film rather than a video promotional clip. I wanted it to be a short piece of film that would hopefully do justice to the original book and let people understand the story...”
Donald Sutherland