“On November 20, the issued a notification allowing women to work night shifts (7 p.m. to 6 a.m.) in all factories registered under the Factories Act, 1948. [...] In principle, this is a welcome move. However, several concerns have been voiced by women garment workers who are estimated to constitute over 90% of the five garment workers in Karnataka (according to data by Asia Floor Wage Alliance, a global coalition of trade unions). The amendment suggests that night shifts for women will only be allowed if the employer ensures adequate safeguards concerning occupational safety and health, protection of dignity and honour, and transportation from the factory premises to points nearest to the worker’s residence. The amendment stipulates 24 points related to occupational rules and regulations, most of which have been in existence for years. Yet, women workers fear that when there is no safety or dignity in the workplace even during daytime, how will employers ensure all this during night shifts?”
“Low labour cost, along with flexibility in labour use, has become a key source of competitive advantage for firms. As external competition intensifies, the domestic industry has come under great pressure...”
Neethi Padmanabhan
“Optimism with regard to labour as an agency of has been replaced by pessimism that sees little prospect of workers acting on their own behalf.”
Neethi Padmanabhan
“Trade unions do not consider workers from smaller units as workers in the formal sense, or they often cannot access workers inside special industrial zones, behind walls of security. Workers too somet...”
Neethi Padmanabhan
“In a sector where there is systemic failure and worker-management relations are turbulent, putting the onus of worker safety and security in the hands of the management alone can be risky. Moreover, i...”
Neethi Padmanabhan
“Clearly, the disparity between the prospects of win-alls and lose-alls maps perfectly with their respective general socio-economic conditions as determined by class, caste and . The current pandemic c...”
Neethi Padmanabhan