“Their genuine stupidity lies hid beneath their specialism. They know their business, but are ignorant of everything which is outside it. So that to preserve their self-conceit they question everything, are crudely and crookedly critical. They appear to be sceptics and are in reality simpletons; they swamp their wits in interminable arguments. Almost all conveniently adopt social, literary, or political prejudices, to do away with the need of having opinions, just as they adapt their conscience to the standard of the Code or the Tribunal of Commerce. Having started early to become men of note, they turn into mediocrities, and crawl over the high places of the world. So, too, their faces present the harsh pallor, the deceitful coloring, those dull, tarnished eyes, and garrulous, sensual mouths, in which the observer recognizes the symptoms of the degeneracy of the thought and its rotation in the circle of a special idea which destroys the creative faculties of the brain and the gift of seeing in large, of generalizing and deducing. No man who has allowed himself to be caught in the revolutions of the gear of these huge machines can ever become great.”
“Thus we are brought to the third circle of this hell, which, perhaps, will some day find its Dante. In this third social circle, a sort of Parisian belly, in which the interests of the town are digest...”
La Fille aux yeux d'or
“People crushed with business, who, if they attain their end, are literally killed in its attainment.”
La Fille aux yeux d'or
“From the lowest gutters, where its stream commences, from the little shops where it is stopped by puny coffer-dams, from the heart of the counting-houses and great workshops, where its volume is that ...”
La Fille aux yeux d'or
“If a few men of character indulge in witticism, at once subtle and refined, they are misunderstood; soon, tired of giving without receiving, they remain at home, and leave fools to reign over their te...”
La Fille aux yeux d'or
“The exorbitant movement of the proletariat, the corrupting influence of the interests which consume the two middle classes, the cruelties of the artist's thought, and the excessive pleasure which is s...”
La Fille aux yeux d'or