“When I did not want to be satisfied with the hastiness of his [Heckel's] drawing, he called upon his right of stylization. I presented the view: one must first learn to draw properly, only then is one allowed to stylize.. ..but I did not convince him at all. He was of the mind that only came down to the creation of an overall impression and this is what the case was for him. From this point on, the Brücke people began to draw highly 'un-orderly,' to my horror.. .But in reality, the future was breaking through here..”
“We saw your [ Cuno Amiet's ] work with feelings of admiration and enthusiasm.. .Our group [ Die Brücke ] would be exceedingly glad to find in you a comrade in arms and a champion of its cause.”
Erich Heckel
“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woo...”
Erich Heckel
“What we [Brücke-artists] had to remove ourselves from [the German bourgeois mores] was clear; where we were heading was certainly less clear. (original German: Wovon wir weg mussten, war uns klar. Woh...”
Erich Heckel
“..differences arose that hindered the publication of the 'Chronik' (written by Kirchner and brought us to the agreement of dissolving Die Brücke group.”
Erich Heckel
“Brücke will remain in the inner sense; only the outer organizational thing should be dissolved.”
Erich Heckel