“Coming at it from an adult perspective, that, for me was, enough finality. I felt like I had done the whole hero's arc for Peter. But unfortunately, that's a very adult way of looking at things. And really, I momentarily forgot that I was catering to kids, and that they wanted to see if Peter got the girl. Yeah... so I left you all with a horrible feeling of incompletion.”
“When he’s in Peter mode, I wanted to emphasize the youth and insecurity and wonder. When I was in Spider-Man mode, I wanted to emphasize the push back of the heroic nature and the will asserting itsel...”
Spider-Man (1994 TV series)
“Spider-Man was different from other shows I worked on primarily because of the birthing pains. There were lots of people who had a say in what the show would be like, and none of them seemed to agree ...”
Spider-Man (1994 TV series)
“The character that stood out most to me was Jameson. His hatred for Peter and Spidey was so pathological; I eventually came to the conclusion that Stan was trying to say something about anti-Semitism ...”
Spider-Man (1994 TV series)
“Everybody - producers, network, writers, artists had a different conception of the Venom story; it took a half-day-long meeting with everyone - Avi, Stan, the network rep, the supervising producer (Bo...”
Spider-Man (1994 TV series)
“I remember on Kraven that first season that Avi and Sidney really wanted some advanced stuff in there quoting of Russian poets and things and I think that ended up staying in. I just wondered why the ...”
Spider-Man (1994 TV series)