“For me, the story was about an epic kind of coming-of-age of Peter Parker, and when he got to the point where he could turn to his creator and say, 'Well, I'm really not the guy you created anymore. I'm somebody else now. When he gets to that point, I kind of felt like the epic hero's journey was over for him.”
“When he’s in Peter mode, I wanted to emphasize the youth and insecurity and wonder. When I was in Spider-Man mode, I wanted to emphasize the push back of the heroic nature and the will asserting itsel...”
Spider-Man (1994 TV series)
“Spider-Man was different from other shows I worked on primarily because of the birthing pains. There were lots of people who had a say in what the show would be like, and none of them seemed to agree ...”
Spider-Man (1994 TV series)
“The character that stood out most to me was Jameson. His hatred for Peter and Spidey was so pathological; I eventually came to the conclusion that Stan was trying to say something about anti-Semitism ...”
Spider-Man (1994 TV series)
“Everybody - producers, network, writers, artists had a different conception of the Venom story; it took a half-day-long meeting with everyone - Avi, Stan, the network rep, the supervising producer (Bo...”
Spider-Man (1994 TV series)
“I remember on Kraven that first season that Avi and Sidney really wanted some advanced stuff in there quoting of Russian poets and things and I think that ended up staying in. I just wondered why the ...”
Spider-Man (1994 TV series)