“...can be read as an ‘answer’ to…Mailer’s The White Negro (1957) and other works of that period recommending crime and ... murder as expressions of existential freedom. ...Mailer recommended that whites emulate ... traits that ... were producing ... the black 'underclass'. In A Clockwork Orange, the young thugs are scarcely existential heroes. The surrounding society does not provide the norms which, internalized, allow for civilization. In the underclass foreseen in A Clockwork Orange, Mr Mailer’s sentimental dream has become our own nightmare.”
